Tuesday 27 March 2018

A Wrinkle In Time


I’m a big Ava DuVernay fan; as well as being a very talented director, she also comes across as an awesome human being, one that is always giving back to her fans. So when I heard that Disney had given her the reigns to one of their big blockbuster projects – making her the first black female director to helm a $100 million film - I knew I would be there to watch it. I urge everyone to support this film even if my own opinion on it, like the film, is a little muddled.

A Wrinkle in Time follows Meg; after the disappearance of her scientist father, three peculiar beings send her, her brother and her friend through space to find him. The film boasts a cast made up of Storm Reid, Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Chris Pine, Zach Galifinakis, Levi Miller and Deric McCabe. Disney have allowed DuVernay to create something very different here - it comes across as quite a surrealist, experimental kids film, one that I am very intrigued by how the intended audience are reacting to. There are splashes of Nolan in this, it even reminded me of Annihilation, the mind bending sci-fi released on Netflix a week prior from Alex Garland. However, DuVernay has put her own stamp on this, creating something unlike any other kids film I have seen before.

You are dropped straight into this world and given very little explanation for anything going on. I am usually fine with films not having to hold your hand but I really could have used a bit more explanation in some scenes because at times it felt like someone had spiked my Pick & Mix. That being said, the film is very open about the fact that it’s more interested in emotion rather than plot. It’s emotion that pushes things forward: there is a literal battle of emotion to conclude it and every aspect of the film is made to reflect this.

The visuals and the audio work hand in hand with each other, DuVernay has a very clear vision as to what she wanted this film to look and feel like. The imagery we see on screen is some of the most interesting I’ve seen from a big budget film, especially one that very heavily leans on visual effects. I have seen some critics criticise the use of CGI but I personally had no problem with it and enjoyed watching the glossy effects play out on screen. Music wise the score is great and I even loved the use of pop songs being used in some of the montages, this is something I usually hate in films made for younger audiences but because this whole film had the vibe of music video it worked. It was very dreamlike in the way it was edited and everything flowed into each other very nicely. It was easy to be swept over by this film even if I did have to fill in the gaps at times.

Overall the film didn’t work fully for me, I however am not the intended audience. I love how out there it was. It was super weird with some great visuals and a unique sense of style, I just wish I had been able to make more sense of it. It was clearly a very ambitious effort from Ava DuVernay and one that should be praised, even if overall the film felt a little too loose at times. I far from hated it, but I didn’t love it either. I’m rating A Wrinkle in Time a 3/5. It’s definitely worth a watch still, just to see a surrealist kids film come to life in front of you.

What did you think of the film? Masterpiece or messy? Let me know in the comments below.

Thanks for reading!        

Tuesday 6 March 2018

Quick Reviews #20: Oscars 2018 Edition

The Oscars have been and gone; this year with less drama and more predictability (for better or worse). I've been pretty good at catching the nominees this year - seeing all but one from the best picture list. I haven't reviewed them all though, so here's my Quick Reviews post for you guys to see what I thought of the other nominees - other than Get Out and Dunkirk that I haven't reviewed before. So read on and enjoy. 


The Shape of Water

A new film with an old school feel, from the plot to the pacing. It’s typical Guillermo del Toro, one of the best auteurs working today, his style is all over it and the story is the right mix of strange and beautiful to have come from his mind. It didn’t strike me as much as some of his previous films, however it is still an amazing watch. Its story of outsiders strikes a chord right now still making it worthy of its Oscar win, even if - yes - I do think there were better films in the line-up this year.
4/5

Lady Bird

I went through all the emotions watching this film. Greta Gerwig has made a gut-punch of a film; a coming of age story that’s all about walking the dangerous line of being an individual and wanting to fit in. I dare any millennial not to relate to this film: the feelings and the emotions just rang so scarily true. This is the kind of film I’ve always wanted to write, I’ve even tried to, but I don’t think I would ever be able to perfect it the way Gerwig has.
5/5

Call Me by Your Name

A fairy-tale romantic film set in the Italian countryside that’s bursting with sex and sensuality. As coming of age films go this one can be a hard watch at times. As you know the flourishing romance has a time limit on it; this is all going to end in tears. Knowing this I tried not to get too attached to the main characters but it was impossible to do so. Their chemistry, despite the age gap, is electric and I was a mess when it all came to an end. The whole thing has a love song music video vibe to it. I loved it.
5/5

Phantom Thread

It's gorgeous to look at, as it entices you in, captures you and takes you on a dark and twisted ride through a relationship like no other seen on film before. A superbly crafted film with excellent performances all round and a surprising and darkly funny script. I haven’t been able to stop thinking about this one. It’s a shame it never got as much hype as some of the other films on this list; it deserved to. It's a good one to end on for Daniel Day-Lewis, too bad he didn’t get the Oscar for it.
4.5/5

Three Billboards outside Ebbing, Missouri

I’ve been struggling with what to write about this one. I really liked it but at the same time I acknowledge the problems it has. They should never have tried to redeem Dixon, he was a great villain and should have stayed that way. We’ve had nonredeemable characters redeemed in the past but the way this film tried to force this one left a bad taste in my mouth. It is just a bad choice in what is an overall good film. A film that could be dark and funny before switching to sweet and sombre within a moment.
3.5/5

The Post

My politics ruined some of my enjoyment of Three Billboards but in this film it elevated the experience. The film might as well be called 2017, the parallels are scary and the Spielberg sentimentality really works and is very much needed right now. It’s very well rounded, has great cinematography, great performances and a great score. Spielberg isn’t losing his touch any time soon.
4/5

What did you think of these films? Did the Oscars get it right this year? Let me know in the comments below

Thanks for reading!